Ray Bryant – MCMLXX - VG+ LP Record 1970 Atlantic USA White Label Promo - Jazz / Cool Jazz
Regular price
€19.99
Ray Bryant – MCMLXX
Label: | Atlantic – SD 1564 |
---|---|
Format: |
Vinyl, LP, Album, White Label Promo
|
Country: | US |
Released: | |
Genre: | Jazz |
Style: | Contemporary Jazz, Cool Jazz |
A1 | Stick With It |
5:51 | ||
A2 | Let It Be |
4:01 | ||
A3 | Bridge Over Troubled Water |
3:20 | ||
A4 | Hey Jude |
4:50 | ||
B1 | Shake-A-Lady |
2:38 | ||
B2 | Unchained Melody |
4:45 | ||
B3 | My Cherie Amour |
4:56 | ||
B4 | Spinning Wheel |
3:39 |
- Copyright © – Atlantic Recording Corporation
- Recorded At – Atlantic Studios
- Published By – Brynor Music
- Published By – Maclen Music, Inc.
- Published By – Charing Cross Music
- Published By – Frank Music Corp.
- Published By – Jobete
- Published By – Blackwood Music Inc.
- Lacquer Cut At – Atlantic Studios
- Mastered At – Longwear Plating
- Pressed By – Presswell
- Manufactured By – Atlantic Recording Corporation
- Acoustic Bass – Ron Carter (tracks: A1, A3, A4)
- Alto Saxophone – George Dorsey (tracks: A2)
- Arranged By – Arif Mardin (tracks: A2), Eumir Deodato (tracks: A1, A3, A4)
- Baritone Saxophone – Pepper Adams (tracks: A2)
- Bass Clarinet – Leon Cohen (tracks: A1, A3, A4)
- Cello – Charles McCracken (tracks: A1, A3, A4)
- Cover, Design – Haig Adishian
- Drums – Jimmy Johnson (2)
- Electric Bass – Chuck Rainey
- Engineer [Recording] – Gene Paul
- Engineer [Recording], Engineer [Re-mix] – Lewis Hahn*
- Lacquer Cut By – Al Brown (5)
- Photography By – Joel Brodsky
- Piano – Ray Bryant
- Producer – Joel Dorn
- Tenor Saxophone – Joe Gentle (tracks: A1, A3, A4), King Curtis (tracks: A2)
- Trombone – Garnett Brown (tracks: A2)
- Trumpet – Joe Newman (tracks: A2)
- Violin – Emanuel Green (tracks: A1, A3, A4), Gene Orloff (tracks: A1, A3, A4), Joseph Malignaggi (tracks: A1, A3, A4), Julien Barber (tracks: A1, A3, A4), Matthew Raimondi (tracks: A1, A3, A4), Noel Dacosta (tracks: A1, A3, A4), Paul Gershman (tracks: A1, A3, A4), Selwart Clarke (tracks: A1, A3, A4), Winston Collymore (tracks: A1, A3, A4)
The numbers on the labels read as follows: "ST-A-701917 PR" and "ST-A-701918 PR". The suffix PR refers to the pressing plant being Presswell Records Mfg. Co., Ancora, NJ.
The matrix/runout numbers in the deadwax are followed by LW, AT and aB; the LW refers to Longwear Plating, the company that made the metal parts for the lacquers, and the AT refers to mastered at Atlantic Studios. The aB refers to mastering engineer Al Brown (5). It's unclear what the last W refers to in the deadwax etchings. Pressing plant and mastering information taken from Discogs member mossinterest.
© 1970 Atlantic Recording Corporation
Printed in U.S.A.
Recorded at Atlantic Recording Studios, New York City
A1: Brynor, BMI
A2: Maclen, BMI
A3: Charing Cross, BMI
A4: Maclen, BMI
B1: Brynor, BMI
B2: Frank, ASCAP
B3: Jobete, BMI
B4: Blackwood-Bay, BMI
The matrix/runout numbers in the deadwax are followed by LW, AT and aB; the LW refers to Longwear Plating, the company that made the metal parts for the lacquers, and the AT refers to mastered at Atlantic Studios. The aB refers to mastering engineer Al Brown (5). It's unclear what the last W refers to in the deadwax etchings. Pressing plant and mastering information taken from Discogs member mossinterest.
© 1970 Atlantic Recording Corporation
Printed in U.S.A.
Recorded at Atlantic Recording Studios, New York City
A1: Brynor, BMI
A2: Maclen, BMI
A3: Charing Cross, BMI
A4: Maclen, BMI
B1: Brynor, BMI
B2: Frank, ASCAP
B3: Jobete, BMI
B4: Blackwood-Bay, BMI
- Rights Society: BMI
- Rights Society: ASCAP
- Matrix / Runout (Label, side B): ST-A-701918 PR
- Matrix / Runout (Label, side A): ST-A-701917 PR
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